As film gives way to digital, Richard Nicholson gained access to an endangered habitat where most cinema-goers never venture – the projection box – to document the people who make the movies move Sam Bishop, The Electric, Birmingham
‘The biggest challenge with projectionists is that they work in near total darkness,’ says Nicholson. ‘I [had to] set up lights to simulate the ambience of the projection room. The Electric is Britain’s oldest working cinema.’

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